Victorine-Louise Meurent & Laure
Manet’s Olympia is celebrated as the first modernist painting. However it was not just Manet’s artistic innovation, but the presence of two identifiable women; one of the streets, and one of a newly emerging black working-class community, that made Olympia one of the most earth-shattering works ever to be created.
Listen to ArtMuse’s episode on Victorine Meurent and Laure; the two superstars of Olympia.
Victorine was not just an artist’s model, she was also a musician and an established painter in her own right, who showed her work at the Salon a staggering number of six times.
Painted just 15 years after the abolition of territorial slavery, Laure represented a pioneering age of Paris, in which newly freed black members of society were becoming an integral part of the working class.
This Episode is produced by Kula Production Company.
Listen to ArtMuse’s episode on Victorine Meurent and Laure
REFERENCES
Andersen, Wayne Vesti. Manet: The Picnic & The Prostitute. Fabriart, 2005.
Lipton, Eunice. Alias Olympia: A Woman’s Search for Manet’s Notorious Model & Her Own Desire. Cornell University Press, 1999.
Armbrust Seibert, Margaret Mary. A Biography of Victorine-Louise Meurent and Her Role in the Art of Edouard Manet. Ohio State University, 1986.
Murrell, Denise M. Seeing Laure: Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond. Columbia University, 2014.
FURTHER REFERENCES
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